بررسی حرکت کمره و نقش آن در فرایند تولید فلم با تأکید بر ابعاد زیبایی شناسی و روایت تصویری

Abstract

Camera movement, as one of the fundamental and pivotal elements of cinematic language, plays a decisive role in constructing meaning, creating atmosphere, conveying emotions, establishing visual rhythm, and advancing the narrative. This study, using a review-analytical approach, examines various types of camera movements and their impact on visual aesthetics, narrative rhythm, and message transmission, particularly within the context of Afghan cinema. Drawing on credible sources and analyzing notable films such as A Letter to the President (Roya Sadat), Kabul Kid (Barmak Akram), and Opium War (Siddiq Barmak), the findings indicate that camera movement is not merely a technical or mechanical tool, but an independent, creative, and meaning-making language in the filmmaking process. The results further reveal that the variety, quality, and method of employing these movements can convey complex layers of semantic, emotional, and psychological meaning. Ultimately, the role of camera movement in Afghan cinema requires reconsideration, specialized training, and the adoption of innovative approaches.